{"version":"1.0","provider_name":"La Chambre Claire","provider_url":"https:\/\/www.lccprogram.org\/en\/","author_name":"dounia","author_url":"https:\/\/www.lccprogram.org\/en\/author\/dounia\/","title":"Wiame Haddad - La Chambre Claire","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"zpSPhgpyFy\"><a href=\"https:\/\/www.lccprogram.org\/en\/2018\/03\/23\/wiame-haddad\/\">Wiame Haddad<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.lccprogram.org\/en\/2018\/03\/23\/wiame-haddad\/embed\/#?secret=zpSPhgpyFy\" width=\"600\" height=\"338\" title=\"&#8220;Wiame Haddad&#8221; &#8212; La Chambre Claire\" data-secret=\"zpSPhgpyFy\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.lccprogram.org\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.lccprogram.org\/wp-content\/uploads\/2018\/03\/Haddad_Ceux-qui-restent3_2015.jpg","thumbnail_width":1417,"thumbnail_height":1417,"description":"Ceux qui restent (Those who remain) 2012 &#8211; 2016 &nbsp; This photographer has the ability to make us feel ill at ease. These uncomfortable constructions are such that deconstruct our assumptions, notably about what can be \u201cshown,\u201d and about the representation of the body within the specific socio-cultural environment in which she grew up. Born [&hellip;]"}