{"version":"1.0","provider_name":"La Chambre Claire","provider_url":"https:\/\/www.lccprogram.org\/en\/","author_name":"dounia","author_url":"https:\/\/www.lccprogram.org\/en\/author\/dounia\/","title":"Hasnae El Ouarga, the making of an icon - La Chambre Claire","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"FXYbliH1Ka\"><a href=\"https:\/\/www.lccprogram.org\/en\/2018\/04\/10\/hasnae-el-ouarga-fabrique-dicones\/\">Hasnae El Ouarga, the making of an icon<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.lccprogram.org\/en\/2018\/04\/10\/hasnae-el-ouarga-fabrique-dicones\/embed\/#?secret=FXYbliH1Ka\" width=\"600\" height=\"338\" title=\"&#8220;Hasnae El Ouarga, the making of an icon&#8221; &#8212; La Chambre Claire\" data-secret=\"FXYbliH1Ka\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.lccprogram.org\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.lccprogram.org\/wp-content\/uploads\/2018\/04\/HEO-2.jpg","thumbnail_width":1175,"thumbnail_height":1772,"description":"Hasna El Ouraga\u2019s photographs speak to me. For me, they convoke the Christian iconography of pain and suffering; By reclaiming this iconographic tradition, she constructs an allegorical reality. Beyond, the position of the body, the frame, the gaze, under her photographer\u2019s eye, these women become Madonnas. As she stipulates herself in her note of intent: [&hellip;]"}